WRITING OBSTACLE
Create a dialogue scene between an artist and their muse.
The Masked Ballerina
Iāve always known of my two-way mirror. That is why I never step before it. I am not afraid of the phantom that awaits me there. It brings him ecstasy whenever he comes to my room to teach me, and Iāve never been able to bring anyone else in this opera house joy. Not even to Madame Giry no matter how well I perform.
And that is because I was born with a cursed face.
Though he haunts, extorts, and is said to even kill, I admire this phantom because he is said to be like me. Though I have no courage to approach the mirror to see for myself, it is said he wears a mask like me as well. Except his is white as snow, as a doveās feather, standing out against his face. It covers his soulless eyes and his pasty skin, using it as a shield from the curse he too has.
Only I am fortunate enough to be able to afford such an undetectable mask, one that matches my skin seamlessly. Unlike him, I donāt have to live underground.
āChristine! Hurry up!ā Madame Giry demands.
āIām almost ready!ā I reach for my pink ballet shoes, slip them on, and quickly wrap the ribbons up my calves. One side feels looser than the other, but I have no time to retie them for comfort.
āWhy are you still a ballerina?ā This deep, dark, voice has asked this question every performance. I defer him from the subject every time he approaches it, but, like with his notes to the managers, heās always persistent. āYou know your talents, my angel. Use them!ā
āThe opera house already has Carlotta.ā
āCarlotta is nowhere near what you can be, and you know that.ā Before I know it, his hand reaches for the side of my face the mask covers. I look up and see him looming over me in the mirror, and I am unable to push him away when he realizes what he feels isnāt the soft skin of my cheek. My eyes widen, pupils dilating. His fingers glaze over the painted eyebrow, the rouged cheek, every detail that makes the mask so undetectable when first looked upon it. When they reach the edge, my heart nearly stops, but he doesnāt remove it. He knows I wouldnāt do the same to him.
āIs this why?ā He asks tearfully. āBecause you too suffer my fate?ā
āWe cannot have this conversation now. I still have a performance to get to.ā
āCHRISTINE DAAE! GET ON STAGE AT ONCE!ā Madame Giry bangs her cane against the floor, and I rush into the phantom. He wraps his arm around me, breath heavy with anger against my curls.
āI must go. Please leave.ā I whisper to into his chest. āI will see you afterwards.ā
As soon as he lets me go, I run out to the stage. I know I will hear it from Madame Giry afterwards, but though I was almost late, Iām in position just in time for the curtains to open.